ROLLING STONES BIG HITS INSANELY RARE SEALED ORIG 66 LONDON MONO LP w STICKER - rare vinyl collector item


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ROLLING STONES~BIG HITS~INSANELY RARE SEALED ORIG '66 LONDON MONO LP w/STICKER

ROLLING STONESBIG HITSINSANELY RARE SEALED ORIG 66 LONDON MONO LP wSTICKER
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Auction Details:
Code ID
#10663
Ebay Item #
161795966107
Sold Price
$1469.66
Bids
8
Auction End date
23 Aug 2015
Seller Location
Rego Park, New York

Item Description

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WE CURRENTLY HAVE  MORE THAN 1,000  LISTED ITEMS
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· ROLLING STONES - BIG HITS (HIGH TIDE AND GREEN GRASS) - ORIGINAL 1966 LONDON RECORDS MONO LP NP-1.
· ORIGINAL U.S. PRESSING
*** INSANELY RARE STILL SEALED GUARANTEED ORIGINAL FIRST MONO PRESSING ***
· GUARANTEED ORIGINAL DARK-RED LONDON MONO LABEL WITH “BOXED” (FRAMED) LONDON LOGO AND SILVER PRINT (LIGHTER RED MONO LABELS ALSO EXIST)
· ULTRA-RARE ORIGINAL MONO PRESSING, MANY TIMES RARER THAN FAKE (“ELECTRONICALLY RECHANELLED”) STEREO
· THE THICKNESS OF THE VINYL, THE APPEARANCE AND THE CONSTRUCTION OF THE COVER, LABEL’S LOGO AND OTHER PERIPHERAL ELEMENTS OF THE COVER, ARE ALL PERFECTLY CONSISTENT WITH THE ORIGINAL, FIRST PRESSING OF THIS TITLE.
· GUARANTEED TO INCLUDE ORIGINAL 8-PAGE INSERT / BOOKLET (SO SAYS THE HYPE STICKER ON THE SHRINK WRAP)
· THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.
· THICK CARDBOARD GATEFOLD COVER, AMERICAN STYLE.
· COVER HAS A NIFTY 'HYPE' (ADVERTISEMENT) STICKER STILL AFFIXED TO THE SHRINK WRAP.
· VERY THICK, HEAVY VINYL PRESSING
· MONO version of this album has NEVER been available on legitimate Compact Disc or in any other digital format.
 (►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)
(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get.  GUARANTEED!)
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The first hits compilation of the Rolling Stones is still one of the most potent collections of singles that one can find. Listening to it in 1966 or today, one can understand how, almost prematurely for the 1960s — as most of the material here dates from 1964 or 1965 — the Stones set themselves up as the decade's most visible rock & roll rebels. The defiant, in-your-face fuzztone riff and sexually frustrated lyrics of "(I Can't Get No) Satisfaction" and the frenetic pounding punk anthem "Get Off of My Cloud" are highlights of a 12-song set that has no weak points, only peaks — the louder-than-life rhythm guitars on "It's All Over Now" and "The Last Time," the wailing R&B of "Time Is on My Side," the balladry, folk, and soul style of "As Tears Go By" and "Tell Me," and all of the rest make for a body of work that's still amazing to hear four decades after the fact. Appearing as it did in the late winter of 1966, this collection completely missed the group's drift into psychedelia, and it has since been supplanted by Hot Rocks and More Hot Rocks, but Big Hits is still the most concentrated dose of the early Stones at their most accessible that is to be had, short of simply playing their first five U.S. albums. The artwork and photography were pretty cool too, and the original LP had one of rock's early classic gatefold album designs
Track listing: Satisfaction - The last time - As tears go by - Time is on my side - It's all over now - Tell me - 19th Nervous Breakdown - Heart of Stone - Get off of my cloud - Not fade away - Good times, bad times - Play with fire; Finding a still sealed original MONO copy of this Rock milestone?!?! Forget it – not even a HOPE!!! This may be the last one you will ever see.
(REVIEW REPRINTED COURTESY OF BRUCE EDER, ALL MUSIC GUIDE  /ALLMUSIC.COM/)
For its extraordinary contribution to the modern music, superb production, craftsmanship, fine musicianship, revolutionary significance and influence it exerted on numerous generations of musicians, writers and general public, or for some other innate quality, this album was voted one of top-200 albums of all time in one of the largest poll of critics, music reviewers, professionals and producers ever organized: the poll, which was conducted by Paul Gambaccini, legendary BBC Radio A&R man, surveyed more than 50 top music professionals (including Roy Carr, Jonathan Cott, Robert Christgau, Cameron Crowe, Chet Flippo, Ben Fong-Torres, Charlie Gillett, Greil Marcus, Murray the K., Lenny Kaye, Bruce Morrow (a/k/a "Cousin Brucie"), Tim Rice (of "Jesus Christ Superstar" and "Evita" fame), Lisa Robinson, Robert Shelton (who wrote liner notes for Bob Dylan's first album), Ed Ward, Joel Whitburn, Pete Wingfield, etc.). For more details, see: "Critics Choice: Top-200 albums" compiled by Paul Gambaccini, Omnibus Press, Library of Congress Catalog No.7855565 (or ►click here  for the complete album listing).


TO SEE IF WE HAVE OTHER LISTED ITEMS BY THIS GROUP OR ARTIST ►  CLICK HERE
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· CONDITION:
· RECORD
(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)
(a) THE ALBUM IS STILL FACTORY SEALED AND IS BELIEVED TO BE PERFECTLY MINT. Please note: sealed items are assumed to be mint and are sold as-is, as we have no way of inspecting them. For our policy on still sealed records ►click here (PLEASE READ BEFORE PLACING A BID).
(b) The album is guaranteed to come with the original 8-page insert/booklet  intact.
(c) The record is believed to come in its original stock inner sleeve.
(d) The record is  apparently pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!
(e) Mono pressing of this title is much rarer, and by far more  preferable to its stereo counterpart. We think that the mix is more natural, humane, "organic" and that the mixes are somewhat different than on the stereo version. We estimate that stereo copies of this album outnumber mono pressings by a ratio of at least 10:1.
(f) True Stereo copies of this album are NOT known to exist