JIMI HENDRIX BAND OF GYPSYS INSANELY RARE SEALED ORIG 70 CAPITOL LP BOB LUDWIG - rare vinyl collector item


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JIMI HENDRIX~BAND OF GYPSYS~INSANELY RARE SEALED ORIG '70 CAPITOL LP~BOB LUDWIG

JIMI HENDRIXBAND OF GYPSYSINSANELY RARE SEALED ORIG 70 CAPITOL LPBOB LUDWIG
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Auction Details:
Code ID
#8809
Ebay Item #
161534689406
Sold Price
$730.00
Bids
13
Auction End date
04 Jan 2015
Seller Location
Rego Park, New York

Item Description

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WE CURRENTLY HAVE   MORE THAN 1,000  LISTED ITEMS
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· JIMI HENDRIX – BAND OF GYPSYS – ORIGINAL 1970 CAPITOL RECORDS STEREO LP STAO-472
· ORIGINAL U.S. PRESSING
*** INSANELY RARE STILL SEALED GUARANTEED ORIGINAL FIRST PRESSING ***
· GUARANTEED ORIGINAL LIME-GREEN CAPITOL LABEL , SUCH AS THE ONE SHOWN BELOW, FROM OUR PREVIOUS AUCTION (NOTE: SOME RECORD BOOKS AND PRICE GUIDES CLAIM THAT THE FIRST PRESSING OF THIS ALBUM IS ON RED CAPITOL LABEL, WHICH, OF COURSE, IS A FLAT-OUT NONSENSE)
· THE THICKNESS OF THE VINYL, THE APPEARANCE AND THE CONSTRUCTION OF THE COVER, LABEL’S LOGO AND OTHER PERIPHERAL ELEMENTS OF THE COVER, ARE ALL PERFECTLY CONSISTENT WITH THE ORIGINAL, FIRST PRESSING OF THIS TITLE.
· TWO “BREATHE” (AIR) HOLES NOTED ON THE SHRINK WRAP
· THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.
· WE GUARANTEE that this is a rare ORIGINAL Bob Ludwig-mastered “hot pressing” of this album, with his initials “RL” (Robert Ludwig) etched in the trail-off vinyl of the disc.
 
· ORIGINAL GATEFOLD COVER, MADE OF THICK CARDBOARD (AMERICAN STYLE) 
· NO ANNOYING 'RIAA' STAMP (BLURB) ON THE COVER!!!  (ONLY THE FIRST PRESSINGS OF THIS TITLE DID NOT HAVE ONE!)
· THICK, HEAVY VINYL PRESSING
(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)
(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get.  GUARANTEED!)
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Band of Gypsys was the only live recording authorized by Jimi Hendrix before his death. It was recorded and released in order to get Hendrix out from under a contractual obligation that had been hanging over his head for a couple years. Helping him out were longtime friends Billy Cox on bass and Buddy Miles on the drums because the Experience had broken up in June of 1969, following a show in Denver. This rhythm section was vastly different from the Experience. Buddy Miles was an earthy, funky drummer in direct contrast to the busy, jazzy leanings of Mitch Mitchell. Noel Redding was not really a bass player at all but a converted guitar player who was hired in large part because Hendrix liked his hair! These new surroundings pushed Hendrix to new creative heights. Along with this new rhythm section, Hendrix took these shows as an opportunity to showcase much of the new material he had been working on. The music was a seamless melding of rock, funk, and R&B, and tunes like "Message to Love" and "Power to Love" showed a new lyrical direction as well. Although he could be an erratic live performer, for these shows, Hendrix was on -- perhaps his finest performances. His playing was focused and precise. In fact, for most of the set, Hendrix stood motionless, a far cry from the stage antics that helped establish his reputation as a performer. Equipment problems had plagued him in past live shows as well, but everything was perfect for the Fillmore shows. His absolute mastery of his guitar and effects is even more amazing considering that this was the first time he used the Fuzz Face, wah-wah pedal, Univibe, and Octavia pedals on-stage together. The guitar tones he gets on "Who Knows" and "Power to Love" are powerful and intense, but nowhere is his absolute control more evident than on "Machine Gun," where Hendrix conjures bombs, guns, and other sounds of war from his guitar, all within the context of a coherent musical statement. The solo on "Machine Gun" totally rewrote the book on what a man could do with an electric guitar and is arguably the most groundbreaking and devastating guitar solo ever.
 (EXCERPT FROM AN ONLINE REVIEW BY SEAN WESTERGAARD, ALL MUSIC GUIDE  /ALLMUSIC.COM/)
The importance of this phenomenal album – recorded on New Year’s eve in the legendary Fillmore East auditorium - cannot be overestimated. For many people (yours truly included), this was Jimi's finest hour, and a true, befitting swan song. Easily one of top-20 most important Rock albums ever recorded and just as easily one of top-5 greatest live performances ever captured on vinyl.  Finding a still sealed original copy?!?! Forget it – not even a HOPE!!! This may be the last one you will ever see.
For additional historical or discography information on this album, including track listing ►click here


TO SEE IF WE HAVE OTHER LISTED ITEMS BY THIS GROUP OR ARTIST ► click here
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· CONDITION:
· RECORD
 (IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)
(a) THE ALBUM IS STILL FACTORY SEALED AND IS BELIEVED TO BE PERFECTLY MINT. Please note: sealed items are assumed to be mint and are sold as-is, as we have no way of inspecting them. For our policy on still sealed records ►click here (PLEASE READ BEFORE PLACING A BID).
(b) The record is  apparently pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!
(c) Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!
· COVER
COVER IS STRONG NEAR MINT, STILL SEALED AND COVERED IN ITS ORIGINAL ►SHRINK WRAP
NO SIGNIFICANT IMPERFECTIONS ON THE COVER:
- No split seams
- No ring wear
-