Item Description
Sweet child in time you ll see the line, The line that s drawn between the good and the bad.
See the blind man shooting at the world, Bullets flying, taking toll.
If you ve been bad, Lord I bet you have, And you ve been hit by flying lead, You d better close your eyes and bow your head, And wait for the ricochet.
DEEP PURPLE: Deep Purple In Rock .
LATE 1973 UK PRESSING, THE FIRST ISSUE WAS 12th,JUNE, 1970, AS I WORK MY WAY THROUGH ALL THE ORIGINAL ITEMS I WILL EXPLAIN HOW I ARRIVED AT THE DATE OF THE PRESSING.
I COULD JUST SAY I HAVE SOLD OTHER COPIES FROM THIS PRESSING BEFORE JOINING EBAY AND DURING OUR FOURTEEN YEARS AFTER RECORD FAIRS TRADING, THEN , I WOULD LOVE TO JUST SAY I KNOW ALL EMI PRESSINGS LIKE OLD FRIENDS AND RECOGNISE THE SLIGHTEST CHANGES, BUT FACTS ARE NECESSARY TO AVOID GIVING A PERSONAL OPINION.
GREEN HARVEST LABEL: SHVL 777.
.
MAITRIX: SHVL 777 A - 4 / SHVL 777 B - 3 1973 was not that far past June, 1970 and EMI s maitrix rises reflect that, the later 1970 s pressing reverted to lower digit maitrix endings, this was a continuation and re-setting the digits had yet to happen.
The next item is EMI s stamping codes and a first mother on both sides really says it all.
EMI STAMPING CODES: RP 1 / MP 1 No further comments are necessary when both digits at 9 o clock are 1 on any EMI record, from the 60 s and 70 s decades only, by January 1980, the changes had begun.
THE LABEL RIMS HAVE EMI AND NOT THE Gramophone Co.
Ltd.
TEXT FOUND ON COPIES PRESSED BETWEEN JUNE, 1970 AND MARCH, 1973.
ONLY THE VERY FIRST PRESSINGS IN 1970 DID NOT HAVE THE BOXED EMI LOGO, LOCATED AT 9 O CLOCK ON THE LABELS.
ORIGINAL 1973, EMI, Care Of Your Record INNER SLEEVE, THEY WERE INTRODUCED IN 1973 AND THE FIRST MADE DID NOT HAVE THE DATE IT WAS PRINTED ON THE BOTTOM RIM OF THE FRONT.
AS AN UNPLAYED RECORD I CAN STATE THIS IS THE ACTUAL SLEEVE IT WAS FIRST PLACED INSIDE AT EMI S PRESSING PLANT.
THE ACTUAL SHAPE OF THE SLEEVE HAD SUBTLE CHANGES TO THE CURVED EDGES AND THE TOP OPENING, THIS IS POSITIVELY A 1973 INNER SLEEVE.
Unused, unsplit and unworn with a record impression and a few related light creases, a touch of natural ageing after 41 years THE INNER SLEEVE IS IN UNUSED, NEAR MINT CONDITION.
Garrod Lofthouse PRINTED GATEFOLD COVER, WITH DELUXE THICK, VERY GLOSSY LAMINATION OUTSIDE, EVEN THE SHAPE IS UNCHANGED SINCE 1970.
THE TOP FRONT HAS A BOWED SHAPE, AS SEEN IN MY PICTURE WHERE THE LIGHT REFLECTION PERFECTLY PICKED OUT THE TOP FRONT S DISTINCTIVE SHAPE.
INSIDE THE GATEFOLD IS STILL THE DATE CODE FOR THE FIRST PRESSING COVER S PRINTING: 7006 June, 1970.
I was the first to open the gatefold in 42 years, it was actually stuck together at the points where the lamination was folded over from the front.
Something I have experienced, many, many times and I carefully eased it into opening, an unplayed early 70 s Deep Purple In Rock is quite amazing and being unused, all to detail involves standing in storage for all those decades.
When the next owner opens it the same procedure might be be necessary, but in today s excessive July heat, it was the idea time to open it, the picture taken demonstrates how the white background is completely unaged.
The same pure white as the day it was closed in the factory all those decades ago now.
Unplayed or not, nothing can stop the effect of gravity on a massively heavyweight 1973 record, inside a cardboard cover.
A reasonably gentle record impression and a few related tiny laminated edge lines, as usual, mostly alongside the spine s meeting point with the front back edges.
As they form naturally and not from use or handling, I tend to include them in text and for a very rare unplayed record, cannot possibly include natural formations in the grading.
The same applies to the slightest standing traits, light brushing to the spine ends but the other corners are absolutely perfect and so are all the edges and the unused opening sides.
The spine only has a few gentle ripples and but very clear printing, just stunning unfaded colours and the remarkable condition is there to see in the pictures.
Grading an unused, carefully stored cover in a plastic outer sleeve from day one, simply has to include the word, Mint or this becomes no more than a farce.
42 years is a long time ago and I refuse to drop below this when the whole principal of grading all items, hinges on use , which this did not have THE COVER IS IN NEAR MINT CONDITION.
THE IMMACULATE, AS NEW LABELS DO NOT HAVE ANY SPINDLE ALIGNMENTS, THE RECORD IS ALSO LITERALLY AS NEW.
WITH THAT JUST PRESSED BEAUTIFUL GLOSSY SHINE AND WITHOUT ANY SCRATCHES OR MARKS, I COULD NOT FIND A SINGLE HANDLING TRACE ON THE PRISTINE SURFACE.
WONDERFUL TO SEE A TRUE MINT EARLY 1970 s HARVEST PRESSING OF In Rock , AND FOR THAT AGE, I WILL RESPECT SUCH A RARITY AND NOT PLAY IT MYSELF.
AS USUAL, I CHECK ALL UNPLAYED RECORDS FOR ANY TRACES OF FACTORY OR RECORD SHOP HANDLING, I FOUND NOTHING, BUT ANY FEATHER LIGHT, NEAR INVISIBLE TRACES ARE CERTAINLY NOT EVEN REMOTELY VISIBLE.
THE RECORD IS IN UNPLAYED, MINT CONDITION.
SIDE 1 Speed King Bloodsucker Child In Time Flight Of The Rat SIDE 2 Into The Fire Living Wreck Hard Lovin Man Ian Gillan - vocals Ritchie Blackmore - guitars Roger Glover - bass Jon Lord - keyboards Ian Paice - drums The Seven Tracks Were Recorded In London, Between August,1969 - May,1970: a.
Speed King , Child In Time , Into The Fire Living Wreck At IBC Studios.
b.
Flight Of The Rat Hard Lovin Man At De Lane Lea Studios c.
Bloodsucker At Abbey Road Studios.
Produced By Deep Purple With all the pressing details taken care of, I would like to now concentrate one of the greatest rock albums I have ever heard.
My first encounter with Deep Purple was picking up their 1968 single, Hush , a really great version, but I was not all that taken with a new band who concentrated almost entirely on recording their take on other artist s material and for that, a single was all I bought, I never got into their early albums.
Limited funds played a big part in which albums you could afford to buy, late 60 s was an era of monumental LP s being released on a weekly basis, there were always several vital titles left outstanding.
Then in the summer of 1970 all that changed, suddenly everyone was raving about the new Deep Purple LP that was on the same level as Led Zeppelin for heavy rock / blues.
I was intrigued and bought In Rock , the second I heard just the intro to Child In Time, it was something new and sensational Just to put a perspective onto this, because time scales can only come into the equation in hindsight, heavy rock was starting to emerge as an alternative to underground and progressive music, which had begun to stagnate and become boring.
In Rock was released before Black Sabbath s August,1970 Paranoid single, and the success from that sent their same titled second album surging up the LP charts, so this second line-up of Deep Purple Mark 2 , were the first UK band to kick start the 1970 s decade by releasing such an adrenaline fuelled heavy rock album of real substance.
Unlike Led Zeppelin, who were now including acoustic folk tracks on approximately half of their third album in 1970, every second of In Rock stayed at an extraordinary level of overpowering musicianship.
It often happens to bands who last for decades or their splinter off-shoots, they wrote and recorded such a era defining album, nothing that followed ever quite hit such heights, In Rock simply could not be bettered or replicated, a true masterpiece of a record.
Deep Purple were very brave to attempt this in 1970, their previous LP s and singles had failed to be commercially successful and unlike Led Zeppelin and Black Sabbath, In Rock did not contain any kind of acoustic interludes, right from the opening howls of Speed King the scorching red hot pace never relented until the needle left the the final grooves of the last track on Side 2, Hard Lovin Man.
No studio enhanced effects were necessary or used, only the most breathtaking musicianship because the band played as inspiredly as anything ever recorded, then or today.
I regularly read how The Album is no longer desirable among today s music lovers? , downloading/streaming has killed them off.
Is that right? No wonder original vinyl is so desirable today, have we bred a generation only able to digest tracks individually instead of enjoying a whole set of new tracks recorded by the same artists.
What a crazy situation, albums were a work of art in my era, that has not changed among currently genuine talent, just cramming as many tracks onto a hard drive cannot possibly open up the various moods and variety within songwriting and production.
The 90 minutes on a cassette and 80 minutes on a CDR were long enough for a compilation, stretching that into infinity is not an advance, but a retreat into mediocrity.
2014 - 2015 has hardly produced the inspiration and genius that propelled Deep Purple and all the amazing music being created in the 60 s and 70 s, stifling artists creativity will expose limitations and the tracks on the hard drives will only end up sounding the same.
The original 1968 line-up of Deep Purple had two different musicians to this second 1970 incarnation, I am not keen on calling them Mark 2 , a very silly title that is better left for a model of a car than such a great band, they were Rod Evans - vocals, Nic Simper - bass, Ritchie Blackmore - guitar, Jon Lord, organ and Ian Paice - drums.
Three albums were released from them, initially on EMI s Parlophone label before moving onto the Harvest label, the lead vocalist Rod Evans was replaced by Ian Gillan and the departing Nic Simper s bass was taken over by Roger Glover s.
The effect from that was immediate and dynamite The impact lost all their previous flirtations with pop cover versions and the orchestral enhanced sounds found on their debut Harvest album, Concerto For Group And Orchestra , recorded live at the Royal Albert Hall, London in 1969.
That did include Ian Gillian and Roger Glover but it was more like shaking off the experimental stages that were in no way utilising the incredible musical chemistry that was not in need of stiffling and formulised arrangements.
Apologies to anyone who is fond of that album, my descriptions are honestly given personal opinions, I do not build up albums I consider third rate with the superlatives I do not believe they merit.
There are dozens of examples where rock and orchestration worked superbly, but the material had to be original and exciting or how could the outcome be even remotely inspired? In Rock was recorded with Ritchie Blackmore s guitar and and Jon Lord s organ unshackled by those former restraints imposed by the previous material, now the band co-wrote every single track and with such a commanding and an inspirational vocalist as Ian Gillan, the album caught fire and it hit the heady heights of No.4 in the UK charts.
So by no means a rare album as a first pressing but like my original they took such heavy punishment, I would not even consider offering inferior graded vinyl, this is an album to blow your socks clean off, the sonic audio properties mastered into the heavyweight vinyl in the early 70 s was colossal.
Worn out is...worn out, any attempt to stretch the grading will not compensate for hearing Deep Purple In Rock as a pale shadow of it s true greatness.
I made sure all the first issue label details were in my main headings, the majority of copies were played incessantly regardless of being pressed in 1970 or a few years later, all true great albums were.
I would love nothing better than offering a Mint first pressing, about five years ago on ebay I did sell a Mint- hardly played first issue without an EMI boxed logo etc.
but unplayed is the toughest of all for records of this stature.
This ultimate true Mint slightly later pressing was mastered and pressed perfectly from EMI s Master Tapes and I m mightily tempted to hear the record Child in Time is my personal pick of the bunch, a track that knows no equal for true greatness, this record will have fantastic sound and give full pleasure when listening to a masterpiece of an Album .
Roy R M RECORDS.
My lifetime s love of music and records began at a very young age, the arrival of the Beatles and the 1960 s decade in general had a very profound effect.
It was only natural to bring all my first hand experience of collecting vinyl into becoming a professional record seller.
Nearly thirty years ago we entered into the wonderful atmosphere of record fairs with the highest possible standards set.
When the Internet became the world s new market place for vinyl, in 2001 it was time to join ebay.
Those standards were rigidly adhered to as they will always continue to be, the basics of honesty and integrity were very much part of the era the music I love originated in, so here is our friendly and very efficient service we are proud to provide EVERY RECORD IS FULLY PLAYED AND COMES WITH A NO ARGUMENT MONEY BACK GUARANTEE.
I USE GOOD OLD COMMON SENSE AS WELL AS A GLOBALLY ACCEPTED GRADING TERMINOLOGY FROM THE U.K.
RECORD COLLECTOR PRICE GUIDE BOOK.
THERE IT CLEARLY STATES Sound Quality AFFECTS EVERY GRADING LEVEL AND THAT IS THE ONE AND ONLY POSSIBLE WAY TO ACCURATELY GRADE RECORDS.
i.e.
COMBINING A STRICT VISUAL INSPECTION WITH VERY CLOSELY LISTENING TO EVERY SECOND, UNLESS PERHAPS IN THE CASE OF GENUINELY UNPLAYED VINYL.
EVEN THEN WE STILL TAKE FULL RESPONSIBILITY FOR A RECORD WHEN A CUSTOMER RECEIVES EITHER A SEALED OR AN UNPLAYED RECORD.
We take 100 responsibility after an item has been posted and offer our fullest support in the event of any problems.
There Are No Problems, Only Solutions John Lennon MY DESCRIPTIONS WILL ALWAYS BE 100 HONEST AND TOTALLY ACCURATE ON ALL GRADINGS FROM V.G.
VERY GOOD , TO THE ULTIMATE MINT CONDITION.
ANY QUESTIONS ON OUR ITEMS ARE WELCOMED AND WILL BE PROMPTLY REPLIED TO.
WE ARE FULLY EXPERIENCED AT SHIPPING WORLDWIDE AND NO EFFORT IS SPARED TO PROTECT RECORDS AND COVERS ETC.
WE WELCOME BIDDERS FROM ANY COUNTRY IN THE WORLD.
ALL RECORDS ARE REMOVED FROM THEIR SLEEVES AND PLACED INTO NEW PROTECTIVE CARD SLEEVES AND THEN PLACED INTO NEW, HEAVYWEIGHT PLASTIC OUTER SLEEVES.
THE GREATEST ATTENTION IS PAID TO MAKING THE PACKAGING EXTREMELY STRONG SECURE.
EVERY POSSIBLE EFFORT IS MADE TO ENSURE A SAFE DELIVERY AND WE ONLY USE THE VERY BEST QUALITY PACKAGING MATERIALS, THE COST OF THE ITEM IS IMMATERIAL, EVERY RECORD IS TREATED EXACTLY THE SAME.
WE DO NOT TREAT POSTAGE AS A MONEY MAKING PROJECT, POSTAGE IS LESS THAN COST, USING ONLY PROFESSIONALLY PACKED BOXES WITH SUBSTANTIAL PROTECTIVE PACKAGING THAT DOES WEIGH A LITTLE EXTRA.
UNDER PAYPAL EBAY S GUIDELINES, ALL RECORDS WILL BE SENT VIA A FULLY INSURED TRACKABLE SERVICE.
We have kept all our charges at the same level for years now, but due to the Post Office s new price increases, regretfully we will have to increase the cost of LP s, however, singles will remain unchanged.
Ebay were aware of that happening and have increased their minimum postal cost for LP s to 7.00, that figure has been enforced by the UK Post Office and it will become our UK First Class, Recorded Delivery cost for albums up to the value of 46.
A temporary reduction this week means we can now post LP s for 5, but who knows how long before the Post Office return to 7? For LP s valued above 46, the cost will be 9, we are unhappy about either increase but our high standard of packaging has meant in 13 years of ebay trading, there has not been one record damaged, we are determined to maintain that in the present and future.
IN THE UK RECORDS UP TO THE VALUE OF 46 WILL BE SENT RECORDED DELIVERY, OVER 46 WILL BE SENT SPECIAL DELIVERY.
FOR THE REST OF THE WORLD ALL RECORDS WILL BE SENT VIA INTERNATIONAL SIGNED FOR.
POSTAGE COST FOR LP s UK: UP TO VALUE OF 46, FIRST CLASS RECORDED DELIVERY 5.00 UK: OVER VALUE OF 46, FULLY INSURED SPECIAL DELIVERY 9.00 EUROPE: FULLY INSURED VIA INTERNATIONAL SIGNED FOR 15.00 USA,JAPAN REST OF THE WORLD FULLY INSURED VIA INTERNATIONAL SIGNED FOR 20.00 POSTAGE COST FOR EP s 7 UK: UP TO THE VALUE OF 46 FIRST CLASS RECORDED DELIVERY 3.00 UK: OVER THE VALUE OF 46 FULLY INSURED SPECIAL DELIVERY 6.00 EUROPE: AIR MAIL VIA INTERNATIONAL SIGNED FOR 10.00 USA, JAPAN ETC.
AIRMAIL VIA INTERNATIONAL SIGNED FOR 12.00 PAYMENT DETAILS.
WE WILL SEND ALL WINNING BIDDERS AN INVOICE WITH THE FULL PAYMENT AND POSTAL DETAILS, AS NEAR TO THE AUCTION ENDING AS POSSIBLE.
OUR AIM IS TO MAKE YOUR PURCHASE SMOOTH AND TROUBLE FREE.
FOR UK BUYERS WE ACCEPT: PAYPAL, CHEQUES, POSTAL ORDERS BANK WIRES.
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AS MUCH AS WE SYMPATHISE WITH THE WAY SOME COUNTRIES CHARGE SUCH HEAVY IMPORT DUTIES, WE WILL NOT LIE.
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