Item Description
BLACK NIGHT Ritchie Blackmore / Ian Gillan / Roger Glover / Jon Lord / Ian Paice Black night is not right, I don t feel so bright, I don t care to sit tight.
Maybe I ll find on the way down the line, That I m free, free to be me.
Black night is a long way from home.
I don t need a dark tree, I don t want a rough sea, I can t feel, I can t see.
Maybe I ll find on the way down the line, That I m free, free to be me.
Black night is a long way from home.
Black night, black night, I don t need black night, I can t see dark night.
Maybe I ll find on the way down the line, That I m free, free to be me.
Black night is a long way from home.
DEEP PURPLE: 24 Carat Purple LP, FIRST UK PRESSING, ISSUED 27th JUNE, 1975.
PURPLE RECORDS LABEL: TPSM 2002 MAITRIX: TPSM 2002 A - 1 / TPSM 2002 B - 1 24 Carat Purple reached No.14 in the UK charts and with a 17 week residency, there were many records required and made, as usual, EMI pressed in carefully monitored and indexed batches to ensure perfect sound quality.
The maitrix ending s began with A - 1/ B - 1 and the end digits would increase and increase, this is indeed a June, 1975 first pressing.
EMI STAMPING CODES: GMA 2 / GMO 5 The mothers for anticipated high selling albums were made before vinyl manufacturing began, they were necessarily used in numerical order, as the mothers were identical, all that mattered was monitoring the soft metal discs and changing them before wear began.
Why the digits differ often so much per side, this first pressing was sourced from the 2nd 5th mothers.
THE RUN-OUT GROOVES HAVE THE HAND SCRIBED SOUND ENGINEER LOGO, RJL , WHO CREATED A SUPERB SOUNDING 24 Carat Purple ORIGINAL 1975 EMI Care Of Your Record INNER SLEEVE, UNAGED AND UNSPLIT, WITH ONLY A RECORD IMPRESSION AND A FEW MINOR RELATED LIGHT CREASES, IN MINT- CONDITION.
A date was not printed on the front bottom rim but the design was always subtely changing from the 1973 first made, this is the 1975 type.
VERY FIRST ISSUE, DELUXE LAMINATED GOLD COVER, FULLY LAMINATED ON THE FRONT, SPINE AND BACK.
With an unplayed record inside, all to note is a record impression and a few related tiny laminate edge lines, any standing in storage traits over the last 40 years are too minimal to detail.
The gold colour looks incredible through the protective laminate Printed by Garrod Lofthouse , next to their credit on the back is the encoded date it was made, 7505 May,1975, a few weeks before the album was released.
A stunning looking cover and I am delighted proud to present a major Deep Purple LP, with the most staggering tracks ever placed onto a single album, in a cover as superb as this.
THE UNUSED COVER IS NEAR MINT CONDITION.
THE IMMACULATE LABELS DO NOT HAVE ANY SPINDLE ALIGNMENT TRACES, THE RECORD DOES NOT HAVE ANY MARKS OR SCRATCHES .
I COULD NOT FIND ANY ANY HANDLING TRACES, SO NEAR INVISIBLE /INVISIBLE.
THE RECORD ALSO LOOKS LIKE NEW AND WILL HAVE STUNNING SOUND QUALITY BUT I WILL NOT PLAY IT MYSELF.
THE RECORD IS IN UNPLAYED MINT CONDITION.
SIDE 1 Woman From Tokyo Who Do We Think We Are LP, 1973 Fireball Fireball LP, 1971 Strange Kind Of Woman 9:14 mins.
live version, Made In Japan LP, 1972 Never Before Machine Head LP, 1972 Black Night 4:52 mins, Recorded live in Japan, previously unreleased in the UK, unique to 24 Carat Purple SIDE 2 Speed King Deep Purple In Rock LP, 1970 Smoke On The Water 9:14 mins.
live version, Made In Japan LP, 1972 Child In Time 12:19 mins.
live version, Made In Japan LP, 1972 DEEP PURPLE Ritchie Blackmore - guitar Ian Gillan - vocals Jon Lord - keyboards Roger Glover - bass guitar Ian Paice - drums All Songs Written By Ritchie Blackmore, Ian Gillan, Roger Glover, Jon Lord Ian Paice.
Recorded Between 1969 1972 Engineered By Martin Birch.
Produced And Compiled By Deep Purple.
There are compilations...and then there are ultimate compilations, when record companies choose the tracks they usually produce a worthy enough album, but when the artists choose the tracks you get an ultimate compilation Deep Purple took control and they created 53 minutes worth of simply staggering music, if Side 1 wasn t sensational enough, on Side 2, after Speed King impacts with incredible power with that rif of rifs taken to the absolute limit.
No time to get your breath back, straight into the near 10 minute electrifying live performance of Smoke On The Water , leaving you feeling like have just heard an encore finishing an an inspired concert, the album could have ended there and than and still had a massive effect.
Then the adrenaline fuelled live Child In Time kicks in mean, hard and heavy, for over 12 minutes, my all time favourite Deep Purple studio recording was played by the ultimate line-up.
No disrespect intended any of the musicians who have graced this great band, the original 1970 studio version in the hands of the musicians who recorded in Rock , the live version will blow the socks of anyone not necessarily a Deep Purple collector.
In fact, I would go even further than that, if you only have the one Deep Purple album in your collection, make it 24 Carat Purple.
I usually get into background histories to albums but the tracks on the the album speak for themselves so I do not feel the need to start digging out facts and figures, the pressing details and credits typed above, are all the facts required.
I m itching to play the record but an unplayed first pressing is very rare, the sound quality will be sheer perfection and I know how loudly mastered this was.
The back cover pictures every Deep Purple album from 1968 to 1975 and sandwiched between the 1974 Stormbringer and the 1975 Come Taste The Band , 24 Carat Purple has exactly what is says on the tin , maybe a goldplated tin because this is no Greatest Hits LP.
A definitive Deep Purple album because it represents the band at their most inspired, this side of another re-build of the musicians.
The band thoughtfully included the first British outing of the live Black Night , it was only previously available as the B-side of a Japanese single.
Endless compilations followed but this was unique for the complete input from the Mark 2 line-up, who were picking their own favourite studio live performances at this mid position of the 1970 s decade.
Come Taste The Band found Ian Gillan and Roger Glover had left and before too long, Ritchie departed to form Rainbow, so 24 Carat Purple is finest gathering of the music Blackmore, Gillan, Glover, Lord and Paice ever recorded in the studio or performed live on stage.
Even without playing and describing the album in full, I can conclude this is a record listen to and experience, not write about.
I have said more than enough, my descriptions are not formulated or simply filling in pre-prepared templates, I react to the records I am offering for sale, the hardest thing is resisting being the first to hear this after 40 years of perfect storage in an amazing condition collection.
Roy R M RECORDS.
My lifetime s love of music and records began at a very young age, the arrival of the Beatles and the 1960 s decade in general had a very profound effect.
It was only natural to bring all my first hand experience of collecting vinyl into becoming a professional record seller.
Nearly thirty years ago we entered into the wonderful atmosphere of record fairs with the highest possible standards set.
When the Internet became the world s new market place for vinyl, in 2001 it was time to join ebay.
Those standards were rigidly adhered to as they will always continue to be, the basics of honesty and integrity were very much part of the era the music I love originated in, so here is our friendly and very efficient service we are proud to provide EVERY RECORD IS FULLY PLAYED AND COMES WITH A NO ARGUMENT MONEY BACK GUARANTEE.
I USE GOOD OLD COMMON SENSE AS WELL AS A GLOBALLY ACCEPTED GRADING TERMINOLOGY FROM THE U.K.
RECORD COLLECTOR PRICE GUIDE BOOK.
THERE IT CLEARLY STATES Sound Quality AFFECTS EVERY GRADING LEVEL AND THAT IS THE ONE AND ONLY POSSIBLE WAY TO ACCURATELY GRADE RECORDS.
i.e.
COMBINING A STRICT VISUAL INSPECTION WITH VERY CLOSELY LISTENING TO EVERY SECOND, UNLESS PERHAPS IN THE CASE OF GENUINELY UNPLAYED VINYL.
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VERY GOOD , TO THE ULTIMATE MINT CONDITION.
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We have kept all our charges at the same level for years now, but due to the Post Office s new price increases, regretfully we will have to increase the cost of LP s, however, singles will remain unchanged.
Ebay were aware of that happening and have increased their minimum postal cost for LP s to 7.00, that figure has been enforced by the UK Post Office and it will become our UK First Class, Recorded Delivery cost for albums up to the value of 46.
A temporary reduction this week means we can now post LP s for 5, but who knows how long before the Post Office return to 7? For LP s valued above 46, the cost will be 9, we are unhappy about either increase but our high standard of packaging has meant in 13 years of ebay trading, there has not been one record damaged, we are determined to maintain that in the present and future.
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POSTAGE COST FOR LP s UK: UP TO VALUE OF 46, FIRST CLASS RECORDED DELIVERY 5.00 UK: OVER VALUE OF 46, FULLY INSURED SPECIAL DELIVERY 9.00 EUROPE: FULLY INSURED VIA INTERNATIONAL SIGNED FOR 15.00 USA,JAPAN REST OF THE WORLD FULLY INSURED VIA INTERNATIONAL SIGNED FOR 20.00 POSTAGE COST FOR EP s 7 UK: UP TO THE VALUE OF 46 FIRST CLASS RECORDED DELIVERY 3.00 UK: OVER THE VALUE OF 46 FULLY INSURED SPECIAL DELIVERY 6.00 EUROPE: AIR MAIL VIA INTERNATIONAL SIGNED FOR 10.00 USA, JAPAN ETC.
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