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ARTIST: MOLIMO TITLE: UNRELEASED RCA DEMO ACETATE LABEL: RCA CATALOG NUMBER: YOU ARE BIDDING ON A ONE OF A KIND 3 SONG DEMO ACETATE BY ACE FREHLEY S PRE KISS BAND MOLIMO IT IS LONG RUMORED THAT THEY RECORDED HALF AN ALBUM FOR RCA AND IT WAS NEVER COMPLETED.
THE RCA VAULTS WERE SEARCHED AND THIS WAS NEVER FOUND WELL HERE IT IS A BIG JEFFERSON AIRPLANE VIBE WITH FEMALE VOCALS AND A YOUNG PRE-KISS ACE FREHLEY SHREDDING LEAD GUITAR THIS IS POSSIBLY THE ONLY COPY IN EXISTENCE AND ONLY RUMORED TO EXIST HERE IS YOUR CHANCE TO OWN THE ONLY KNOWN COPY NONE OF THESE SONGS HAVE BEEN RELEASED OR HEARD Molimo Uncovered Few recordings widely circulate from Ace s pre-Kiss period.
What is known is that his pre-KISS band Molimo pronounced: Moh-Lee-Moe partially recorded an album for RCA Records, but unlike Wicked Lester the recordings were never fully completed.
The band were working with producer Stephen Schwartz on recordings, three of which were completed, though the recordings are currently known to certainly not exist in RCA s remaining audio archival vaults.
There has been quite a bit of conjecture about how much of the album was completed, with Ace commenting that it had reached the halfway stage.
Ace, who had been the last member to join the band, was apparently not involved in writing any of the material that the band recorded.
Molimo had been an on-going project.
The band s history begins in Kansas, where Roy Singer Keyboards and Tom Ellis Vocals/Rhythm attended school together.
The two moved to New York City in 1969 and formed a band based on the Jefferson Airplane standard of mixed male/female vocals.
The band went through numerous line-up changes, before RCA producer Stephen Schwartz hooked them up with Christine Murphy Vocals .
This trio became the band s core, and a rhythm section included Barry Dempsey Bass and Dave Polinski drums .
Eventually the band solidified, and with the addition of Ace, the band practiced and wrote for a year as they found a common ground between the members diverse musical backgrounds.
Ace joined the band as Paul, but became Ace during his tenure.
According to Tom, Molimo was named after a secret musical instrument used by the African pygmies for their initiation ceremonies.
One Molimo recording, East of Yesterday, was broadcast on Richard Robinson s Rock Stars radio show, produced by Kenny Weichert, the week of March 22, 1971.
The broadcast also included an interview with Tom, Roy, Christine, and Ace.
Another Molimo song was the acoustic flavored Alone Together.
In terms of sound, Molimo had a powerful psychedelic Jefferson Airplane / West Coast rock feel with loose free-flowing song structures and extended soloing with plenty of distortion.
According to Ace s brother Charley, I went to see him Ace at the Village Gate play with Molimo one time and it was a soft sort of band, kind of reminiscent of Spanky Our Gang with a female lead singer.
That poppy kind of sound.
Paul would play lead on some songs he would play acoustic on other songs.
He was always into ballsy heavy metal.
Zeppelin was the ultimate.
That kind of thing you see with KISS, the punchy strong rock rhythms that he could play his wailing lead guitar to.
So Molimo really didn t cut it for him JG .
The band s end was abrupt.
They were booed off the stage while opening for Phil Ochs who was transitioning back to folk from rock.
Molimo s style was not appreciated, and members of the band felt that they were heading in the wrong direction.
Tom recalls Ace: He always sounded just like he did when he went to KISS.
While Ace went his own way he remained friendly with the band as they transformed into Tomorrow Morning Essentially the core of MOLIMO with a new rhythm section and lead guitarist .
In fact, Kiss apparently rehearsed at the band s loft at 414 Broadway and invited members to Kiss show at the Filmore East, where apparently Gene s hair caught on fire.
Amusingly, following the band s demise the core, Roy, Christine, and Tom, formed a new band, Tomorrow Morning, and were signed to Casablanca Records in 1974.
They released a single, Freewheeling and I Wished I Was In California, produced by Kenny Kerner Richie Wise, in the summer of 1974 RECORD CONDITION: VG- HAD SOME LIGHT MARKS AND A SLIGHT BUBBLE THAT PLAYS THE ACETATE ON A WOBBLE I NOTICED ONE SKIP AND ONE SKIP ONLY JACKET CONDITION: GENERIC GRADING SCALE: MINT, NM, VG , VG VG-, G , G ALL RECORDS ARE ORIGINAL PRESSINGS UNLESS OTHERWISE NOTED RECORDS THAT NEEDED CLEANING WERE SO ON A VPI MACHINE WIN MORE THAN ONE RECORD AND SAVE ON SHIPPING.
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