Dick Schory's New Percussion Ensemble Music For Bang, Baaroom, And Harp 200g LP
This item have been sold for $56.64
Auction Details:
Code ID
#13776
Ebay Item #
162066473448
Sold Price
$56.64
Bids
1
Auction End date
01 Aug 2016
Seller Location
SA19 7BU
Item Description
Don't Forget To Add Us To Your Favourite Sellers For Notification Of Our Rare And Collectible Record Sales!A note to all prospective customers!
For information relating to payment, postage packaging and grading guidelines please see the details beneath the bulk of the advert.
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Released in 1958 as part of RCA’s pioneering Living Stereo series, remastered and improved! Remastering and lacquer cutting by Ryan Smith at Sterling Sound from the original 3-track tapes 200-gram pressing by Quality Record Pressings!
"Little did any of us who were involved in the planning and recording of Music for Bang, Baaroom and Harp know, back in 1958, what an impact this album would have on the record industry and how it would effect my career," writes Dick Schory, about the audiophile instrumental classic, the first stereophonic recording in the industry to be classified a "Best Seller."
Now, revel in the enhanced clarity and sonic richness of a 200-gram pressing by Quality Record Pressings, and remastering and lacquer cutting by Ryan Smith at Sterling Sound, giving this classic a fresh, vibrant appeal. The superb remastering from the original 3-track master tapes brings out subtleties of the instruments, arrangements, performance and ambiance of Chicago's Orchestra Hall lacking from the original pressing and subsequent versions.
The concept for this album is simple: Dozens of standard and exotic percussive instruments (re: manifold from a 1946 Chevrolet) were employed in original and standard tunes arranged by Schory, Bobby Christian, Mike Simpson, Willis Charkovsky and Skitch Henderson, who at the time was musical director for NBC's "Tonight Show." Three tracks are of particular note: the quirky "Tiddley Winks" and the exotic "Baia" and "Typee." The jacket, depicting Schory poking out from a pile of instruments, is a classic of LP art.
The recording, utilizing RCA Victor Record's Red Seal Classical Division's equipment — the same used to record the Chicago, Philadelphia and Boston Symphony orchestras at the time — was recorded in Chicago's Orchestra Hall on June 2 and 3, 1958. Two custom Ampex 300-3 half-inch 3-track tape recorders, running at 15 and 30 inches a second, captured the performances by eight percussionists together with other performers from the Chicago Symphony on piano, string bass, guitar, banjo and harp.
Commercial success followed. Not only was the album an audiophile classic, it also became one of the best selling instrumental albums of the late 1950s and early '60s with Billboard, Record World and Cash Box magazines listing it on their charts for more than two years, and in the "Top 10" best sellers for more than six months. The album kicked off an era of percussion recordings that tried to duplicate the success of Music for Bang, Baaroom and Harp, with limited results.
Analogue Productions and Quality Record Pressings bring you this remastered and improved pressing so that a whole new generation of audiophiles and even casual music lovers can discover for themselves the wizardry, wit and wonder that is Music for Bang, Baaroom and Harp!
Artist - Dick Schory's New Percussion Ensemble
Side 1
1. National Emblem March
2. BaÃa
3. Way Down Yonder In New Orleans
4. Ding Dong Polka
5. April In Paris
6. Holiday In A Hurry
Side 2
7. Buck Dance
8. Duel On The Skins
9. September In The Rain
10. Tiddley Winks
11. The Sheik Of Araby
12. Typee
Catalogue No. - AAPP 1866
Record Condition - Mint (Sealed)
Cover Condition - Mint
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PAYMENT
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POSTAGE
At Netdiscs we ensure you get the postage and packing service you require - we can send by 1st, 2nd or Recorded delivery within the UK and Air or Airsure to any overseas destination. We no longer use surface mail due to the length of delivery time and any overseas items over £20 will now have to be sent by Airsure.
We hate being overcharged for postage, it’s money for nothing. So we aim to keep our postage costs fair and transparent. Obviously each item is different, but we’ve done a fair bit of work to establish the correct postage price before posting. If you feel hard done by, please get in contact.
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PACKAGING
We’re record lovers too and hate receiving items marked as ‘Mint’ and turns out to be scuffed or ripped. This can be avoided!
We use top quality packaging materials - so all our items arrive with you, the buyer, in top notch condition.
Please note: all records are removed from their sealed packaging UNLESS REQUESTED OTHERWISE. Once removed from their packaging, they are kept in a 250g polysleeve which ensures protection. The record(s) and its sleeves are then placed between 2 stiffeners. This ensures that everything arrives exactly as you’d want it to.
Remember - we all need to recycle where possible, so with larger orders and larger items, we re-use the packing boxes and protective wrapping received from our suppliers.
The charges for packaging are based on the following:
|
FORMAT |
PACKAGING |
COST |
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7†|
1 polysleeve, 2 stiffeners, 1 card envelope |
£0.80 |
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10†|
1 polysleeve, 2 stiffeners, 1 card envelope |
£1.00 |
|
12†/ LP |
1 polysleeve, 2 stiffeners, 1 card envelope |
£1.00 |
|
2 x12†|
2 polysleeve, 2 stiffeners, 1 card envelope |
£1.10 |
|
CD |
1 Jiffy bag |
£0.60 |
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Grading based on Record Collector Guidelines:
Mint The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as sealed or unplayed should be Mint.
Excellent The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
Very Good The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
Good The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discolouration etc.
Fair The record is still just playable but has not been cared for properly and displays considerable surface noise, it may even jump. The cover and contents will be torn, stained and/or defaced.
Poor The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
Bad The record is unplayable or might even be broken, and is only of use as a collection-filler.
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