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SLY AND THE FAMILY STONE STAND - ORIGINAL 1969 EPIC RECORDS STEREO LP BN-26456
ORIGINAL U.S. PRESSING
ORIGINAL YELLOW EPIC LABEL WITH BLACK PRINT
THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.
ORIGINAL UNIPAK-STYLE COVER ONE SIDE OF THE GATEFOLD OPENS, THE OTHER ONE IS A SINGLE-PLY CARDBOARD
CLEAN, WEAR-FREE LABELS
THICK, HEAVY VINYL PRESSING
MACHINE-STAMPED MATRIX NUMBER IN TRAIL-OFF VINYL DEAD WAX OF THE RECORD
MATRIX NUMBER IN TRAIL-OFF VINYL DEAD WAX ENDS WITH -1A/-1A . ON SOME LABELS, SUFFIX 1 DENOTES THE VERY FIRST, ORIGINAL PRESSING
PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW
Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a recycled image from our previous auction. What you see is what you ll get. GUARANTEED
Stand is the pinnacle of Sly the Family Stone s early work, a record that represents a culmination of the group s musical vision and accomplishment. Life hinted at this record s boundless enthusiasm and blurred stylistic boundaries, yet everything simply gels here, resulting in no separation between the astounding funk, effervescent irresistible melodies, psychedelicized guitars, and deep rhythms. Add to this a sharpened sense of pop songcraft, elastic band interplay, and a flowering of Sly s social consciousness, and the result is utterly stunning. Yes, the jams Don t Call Me Nigger, Whitey, Sex Machine wind up meandering ever so slightly, but they re surrounded by utter brilliance, from the rousing call to arms of Stand to the unification anthem Everyday People to the unstoppable I Want to Take You Higher. All of it sounds like the Family Stone, thanks not just to the communal lead vocals but to the brilliant interplay, but each track is distinct, emphasizing a different side of their musical personality. As a result, Stand winds up infectious and informative, invigorating and thought-provoking -- stimulating in every sense of the word. Few records of its time touched it, and Sly topped it only by offering its opposite the next time out.
EXCERPT FROM AN ONLINE REVIEW BY STEPHEN THOMAS ERLEWINE, ALL MUSIC GUIDE /ALLMUSIC.COM/
For its extraordinary contribution to the modern music, superb production, craftsmanship, fine musicianship, revolutionary significance and influence it exerted on numerous generations of musicians, writers and general public, or for some other innate quality, this album was voted one of top-200 albums of all time in one of the largest poll of critics, music reviewers, professionals and producers ever organized: the poll, which was conducted by Paul Gambaccini, legendary BBC Radio A R man, surveyed more than 50 top music professionals including Roy Carr, Jonathan Cott, Robert Christgau, Cameron Crowe, Chet Flippo, Ben Fong-Torres, Charlie Gillett, Greil Marcus, Murray the K., Lenny Kaye, Bruce Morrow a/k/a Cousin Brucie , Tim Rice of Jesus Christ Superstar and Evita fame , Lisa Robinson, Robert Shelton who wrote liner notes for Bob Dylan s first album , Ed Ward, Joel Whitburn, Pete Wingfield, etc. . For more details, see: Critics Choice: Top-200 albums compiled by Paul Gambaccini, Omnibus Press, Library of Congress Catalog No.7855565 or click here for the complete album listing .
For additional historical or discography information on this album, including track listing click here
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CONDITION:
RECORD
IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded we grade records under the strong, diffuse room light or discrete sunlight
a WE GRADE THE VINYL AS EXCELLENT. This is one of those albums that are somewhat difficult to grade. It is somewhere between VG and NEAR MINT, just a notch below NEAR MINT. A few light abrasions ARE visible, but they are extremely shallow, superficial and only moderately visually distracting nothing significant .For the most part, the vinyl looks impeccable without any MAJOR visual flaws or imperfections. Much of the original luster is intact, and the vinyl shines and sparkles almost like new.
b The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording
a Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording
COVER
THE COVER IS NICE --- ABOUT EXCELLENT OR VERY GOOD VG .
The following flaws or imperfections are noted on the cover:
- Cover has some light ring wear nothing significant On the scale from 1 to 10 1 being the least, and 10 being the most severe , we assess the severity of ring wear as 2 front side and 4 back side
- Cover has a few tiny wrinkles along the spine
- Visible shelf wear noted on the spine.
