WE CURRENTLY HAVE MORE THAN 300 LISTED ITEMS
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lt if supportLists gt lt endif gt TYRANNOSAURUS REX T-REX featuring MARC BOLAN UNICORN ULTRA-RARE ORIGINAL BRITISH MONO PRESSING - ORIGINAL 1969 REGAL ZONOPHONE UK MONO LP LRZ-1007.
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lt if supportLists gt lt endif gt ORIGINAL U.K. PRESSING
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lt if supportLists gt lt endif gt ORIGINAL MAROON DARK RED REGAL ZONOPHONE MONO LABEL WITH SILVER PRINT
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lt if supportLists gt lt endif gt ULTRA-RARE ORIGINAL MONO PRESSING, MANY TIMES RARER THAN STEREO
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lt if supportLists gt lt endif gt THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.K. PRESSING THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.
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lt if supportLists gt lt endif gt ORIGINAL GATEFOLD COVER
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lt if supportLists gt lt endif gt ORIGINAL LAMINATED COVER
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lt if supportLists gt lt endif gt CLEAN, WEAR-FREE LABELS
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lt if supportLists gt lt endif gt MATRIX NUMBER IN TRAIL-OFF VINYL DEAD WAX ENDS WITH -2/-2
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lt if supportLists gt lt endif gt MACHINE-STAMPED MATRIX NUMBER IN TRAIL-OFF VINYL DEAD WAX OF THE RECORD
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lt if supportLists gt lt endif gt THICK, HEAVY VINYL PRESSING
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lt if supportLists gt lt endif gt MONO version of this album has NEVER been available on legitimate Compact Disc or in any other digital format.
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PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW
Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a recycled image from our previous auction. What you see is what you ll get. GUARANTEED
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The third Tyrannosaurus Rex album, and their debut U.S. release, Unicorn was also the first to steadfastly state the game plan which Marc Bolan had been patiently formulating for two years -- the overnight transformation from underground icon to above ground superstar. Not only does it catch him experimenting with an electric guitar for the first time on record, it also sees Steve Peregrin Took exchange his bongos for a full drum kit, minor deviations to be sure, but significant ones regardless. And listen closely: you can hear the future. The opening Chariots of Silk sets the ball rolling, as slight and lovely as any of Bolan s early songs, but driven by a tumultuous drum roll, a pounding percussion which might be the sound of distant gunfire, but could as easily be a petulant four-year-old, stamping around an upstairs apartment. Either way, it must have been a rude awakening for the bliss-soaked hippy acid-heads who were the duo s most loyal audience at the time -- and, though the album settled down considerably thereafter, that initial sense of alarm never leaves. By the time one reaches the closing Romany Soup, a nursery jingle duet for voice and whispered secrets, you feel like you ve just left the wildest roller coaster on earth. If the peaks are astonishing, however, the troughs are merely comparative. Pon A Hill is certainly more remarkable for the backing chorus of absurd twitters than for a fairly standard Bolan melody. But Cat Black, a song which had been around since before Bolan joined John s Children, comes on like a lost Spector classic, with apoplectic percussion and a positively soaring, wordless chorus. She Was Born to Be My Unicorn, meanwhile, drifts by on piping Hammond and tympani, while Warlord of the Royal Crocodiles is no less resonant than such a title demands. Reprising his role on the duo s first album, DJ John Peel reappears to read a brief children s story, but that truly is the only real point of contact between Unicorn and its predecessors. Indeed, in a moment of pure prescient enthusiasm, Melody Maker s review tagged the once painstakingly eclectic acoustic duo electrified teenybop and, had things not gone horribly awry between Bolan and Took during their first U.S. tour that same year, all that T Rex was to achieve in the first years of the next decade might have instead fallen into place during the final years of the 60s. Because again, you can already hear the storm brewing.
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EXCERPT FROM AN ONLINE REVIEW BY DAVE THOMPSON, ALL MUSIC GUIDE /ALLMUSIC.COM/
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lt if supportLists gt lt endif gt CONDITION:
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lt if supportLists gt lt endif gt RECORD
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IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded we grade records under the strong, diffuse room light or discrete sunlight
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lt if supportLists gt a lt endif gt WE GRADE THE VINYL AS NEAR MINT. Some VERY LIGHT AND SUPERFICIAL abrasions mostly sleeve scuffs - are barely visible, but are probably inaudible, and do not affect visual integrity or beauty of the vinyl. The original luster is very much intact, and the vinyl shines and sparkles almost like new.
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lt if supportLists gt b lt endif gt The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording
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lt if supportLists gt c lt endif gt The record comes in the original Made in Great Britain stock inner sleeve.
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lt if supportLists gt d lt endif gt Mono pressing of this title is much rarer, and by far more preferable to its stereo counterpart. We think that the mix is more natural, humane, organic and that the mixes are somewhat different than on the stereo version. We estimate that stereo copies of this album outnumber mono pressings by a ratio of at least 10:1.
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lt if supportLists gt e lt endif gt Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording
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lt if supportLists gt lt endif gt COVER THIS IS THE ORIGINAL, LAMINATED, GLOSSY COVER :
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THE COVER IS NICE --- ABOUT EXCELLENT OR VERY GOOD .
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The following flaws or imperfections are noted on the cover:
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lt if supportLists gt - lt endif gt Cover has a few tiny wrinkles along the seams nothing significant
lt if supportLists gt - lt endif gt Cover shows JUST A HINT of yellowing on both sides, apparently from aging.
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NO OTHER IMPERFECTIONS ON THE COVER: