WE CURRENTLY HAVE MORE THAN 300 LISTED ITEMS
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lt if supportLists gt lt endif gt THE JIMI HENDRIX EXPERIENCE - ARE YOU EXPERIENCED ORIGINAL 1967 REPRISE RECORDS STEREO LP RS-6261
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lt if supportLists gt lt endif gt ORIGINAL U.S. PRESSING
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lt if supportLists gt lt endif gt ORIGINAL 3-TONE YELLOW, PINK AND GREEN REPRISE LABEL WITH RIVERBOAT LOGO MID-60 s STYLE
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lt if supportLists gt lt endif gt THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.
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lt if supportLists gt lt endif gt TRACK LISTING: THIS IS A U.S. VERSION OF THE ALBUM, WITH SLIGHTLY DIFFERENT TRACK SELECTION THAN THE U.K. VERSION: U.S. VERSION OF THE ALBUM PLAYS HEY JOE , PURPLE HAZE AND THE WIND CRIES MARY , INSTEAD OF REMEMBER , RED HOUSE AND CAN YOU SEE ME WHICH ARE FOUND ON U.K. VERSION .
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lt if supportLists gt lt endif gt AMERICAN STEREO PRESSING OF THIS ALBUM WAS RELEASED ALMOST FOUR YEARS BEFORE THE BRITISH STEREO VERSION, AND IS CONSIDERED TO BE IN EVERY MANNER SUPERIOR TO THE BRITISH STEREO PRESSING. THIS IS A TRUE FIRST, TRUE STEREO WORLDWIDE RELEASE OF THIS LEGENDARY ALBUM.
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lt if supportLists gt lt endif gt ORIGINAL, THICK CARDBOARD COVER AMERICAN STYLE
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lt if supportLists gt lt endif gt COVER IS STILL IN ITS ORIGINAL SHRINK CELLOPHANE WRAP
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lt if supportLists gt lt endif gt THICK, HEAVY VINYL PRESSING
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lt if supportLists gt lt endif gt CLEAN, WEAR-FREE LABELS
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lt if supportLists gt lt endif gt MATRIX NUMBER IN TRAIL-OFF VINYL DEAD WAX ENDS WITH -1B/-1C . ON SOME LABELS, SUFFIX 1 DENOTES THE VERY FIRST, ORIGINAL PRESSING
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PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW
Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a recycled image from our previous auction. What you see is what you ll get. GUARANTEED
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One of the most stunning debuts in rock history, and one of the definitive albums of the psychedelic era On Are You Experienced?, Jimi Hendrix synthesized various elements of the cutting edge of 1967 rock into music that sounded both futuristic and rooted in the best traditions of rock, blues, pop, and soul. It was his mind-boggling guitar work, of course, that got most of the ink, building upon the experiments of British innovators like Jeff Beck and Pete Townshend to chart new sonic territories in feedback, distortion, and sheer volume. It wouldn t have meant much, however, without his excellent material, whether psychedelic frenzy Foxey Lady, Manic Depression, Purple Haze , instrumental freak-out jams Third Stone From the Sun , blues Red House, Hey Joe , or tender, poetic compositions The Wind Cries Mary that demonstrated the breadth of his songwriting talents. Not to be underestimated were the contributions of drummer Mitch Mitchell and bassist Noel Redding, who gave the music a rhythmic pulse that fused parts of rock and improvised jazz. Many of these songs are among Hendrix s very finest it may be true that he would continue to develop at a rapid pace throughout the rest of his brief career, but he would never surpass his first LP in terms of consistently high quality. The British and American versions of the album differed substantially when they were initially released in 1967.
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EXCERPT FROM AN ONLINE REVIEW BY RICHIE UNTERBERGER, ALL MUSIC GUIDE /ALLMUSIC.COM/
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For its extraordinary contribution to the modern music, superb production, craftsmanship, fine musicianship, revolutionary significance and influence it exerted on numerous generations of musicians, writers and general public, or for some other innate quality, this album was voted one of top-200 albums of all time in one of the largest poll of critics, music reviewers, professionals and producers ever organized: the poll, which was conducted by Paul Gambaccini, legendary BBC Radio A R man, surveyed more than 50 top music professionals including Roy Carr, Jonathan Cott, Robert Christgau, Cameron Crowe, Chet Flippo, Ben Fong-Torres, Charlie Gillett, Greil Marcus, Murray the K., Lenny Kaye, Bruce Morrow a/k/a Cousin Brucie , Tim Rice of Jesus Christ Superstar and Evita fame , Lisa Robinson, Robert Shelton who wrote liner notes for Bob Dylan s first album , Ed Ward, Joel Whitburn, Pete Wingfield, etc. . For more details, see: Critics Choice: Top-200 albums compiled by Paul Gambaccini, Omnibus Press, Library of Congress Catalog No.7855565 or click here for the complete album listing .
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For additional historical or discography information on this album, including track listing click here
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TO SEE IF WE HAVE OTHER LISTED ITEMS BY THIS GROUP OR ARTIST CLICK HERE
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lt if supportLists gt lt endif gt CONDITION:
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lt if supportLists gt lt endif gt RECORD
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IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded we grade records under the strong, diffuse room light or discrete sunlight
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lt if supportLists gt a lt endif gt WE GRADE THE VINYL AS EXCELLENT. This is one of those albums that are somewhat difficult to grade. It is somewhere between VG and NEAR MINT, just a notch below NEAR MINT. A few light abrasions ARE visible, but they are extremely shallow, superficial and only moderately visually distracting nothing significant .For the most part, the vinyl looks impeccable without any MAJOR visual flaws or imperfections. Much of the original luster is intact, and the vinyl shines and sparkles almost like new.
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lt if supportLists gt b lt endif gt The record comes in the original stock inner sleeve.
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lt if supportLists gt c lt endif gt The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording
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lt if supportLists gt d lt endif gt Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording
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lt if supportLists gt lt endif gt COVER
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COVER IS NEAR MINT, STILL IN ITS ORIGINAL SHRINK WRAP
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The following flaws or imperfections are noted on the cover:
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