Meine LP-Sammlung wurde durch berschwemmung zum gro en Teil vernichtet
Die angebotene LP konnte ich zum Gl ck noch retten - allerdings wurde das Cover durch das Wasser besch digt:
Die LP selber wurde mit einer Plattenwaschmaschine r ckstandslos ges ubert.Das Cover wurde so gut es ging getrocknet, der Schlamm hat aber Spuren hinterlassen und das Cover ist leicht wellig
My record-collection was largely destroyed through flooding. This offered LP was saved , but the cover was damaged by the water
The LP itself was cleaned up without residue with a record-washing-machine. The cover was dried, but marks of mud are visible. The cover is slightly warped.
Siehe Bilder See Pics
Label: Tower Records ST5096 STEREO , US 1967
Zustand: Record: vg nearly no signs uf use
Cover vg - traces of mud on front backcover Cutout-Hole upper right-corner, a bit of Seamsplit only at spine
Kommentar: von allmusic:
The Chocolate Watchband s debut album, No Way Out was also their most heavily Rolling Stones-influenced album, but appreciating the album and what s on it and what s not requires some explanation. Released in September of 1967, No Way Out came at the end of the band s first 15 months of existence, a period that encompassed the recording and release of four singles of generally extraordinary quality, and as good as anything heard from any garage band anywhere during that period. Just two of those single tracks, Are You Gonna Be There At the Love-In and No Way Out, ended up on the original ten-track LP, but even they could and should have been the core of an immensely powerful LP. Instead, out of the remaining songs, only two -- the group s nicely cranked-up version of Chuck Berry s Come On and the psychedelic Bo Diddley-based Gone and Passes By -- were recorded by the entire group and released in the form intended. The other six tracks included Watchband recordings, such as Let s Talk About Girls, In the Midnight Hour, and Hot Dusty Road, on which lead singer David Aguilar s vocals had been replaced by those of session singer Don Bennett co-author of the band s single Are You Gonna Be There At the Love-In and also embellished with extra instrumental overdubs two instrumentals, Expo 2000 and Dark Side of the Mushroom, recorded by a group of studio musicians put together by engineer Richie Podolor and, finally, the bizarre Gossamer Wings, a psychedelic digression by Bennett and company that used the band s basic track from the 1966 single B-side Loose Lip Sync Ship as its jumping-off point. So what s here is not really representative of the Chocolate Watchband that was seen in the movie Riot on Sunset Strip, or heard on those four killer singles in 1966 and early 1967. All of that said, No Way Out is still an extremely impressive and enduring album that nicely straddles the garage punk and psychedelic genres the four tracks cut by the band themselves are all highly potent, slashing, exciting, clever pieces of music. Gone and Passes By and No Way Out are sharp works of psychedelic punk music, the former mixing sitar music with a shimmering Bo Diddley beat to superbly seductive effect, while the latter is built on a twisting, jagged blues- and raga-based lead guitar line that recalls the late-1966 vintage Jefferson Airplane s work. And Are You Gonna Be There At the Love-In is a stirring, even threatening anthem to youthful defiance. Of the rest, Let s Talk About Girls is still a very good track and a killer opener for the album, despite the tampering by the producers, and In the Midnight Hour and Hot Dusty Road are not too far behind. As for the instrumentals, Dark Side of the Mushroom and Expo 2000 are decent filler, even if they have nothing to do with the band. So the record, though flawed from day one of its release history,
is still an essential 60s album in any collection..
Tracks:
A1
Let s Talk About Girls
2:30 A2
In The Midnight Hour
4:26 A3
Come On
1:50 A4
Dark Side Of The Mushroom
2:26 A5
Hot Dusty Roads
2:26 B1
Are You Gonna Be There At The Love-In
2:24 B2
Gone And Passes By
3:09 B3
No Way Out
2:25 B4
Expo 2000
2:33 B5
Gossamer Wings 3:34
Nachfragen: werden m glichst umgehend beantwortet.
Questions: will be answered as soon as possible.
Ich biete nur originale LP s an.
I am offering only original LP s.
Zustandbeschreibung: erst LP dann Cover
Grading: Record / cover
Zustandsangaben:
mint/m : Die Platte bzw. Cover ist in jeder Beziehung optisch und akustisch in einem neuwertigem Zustand /
The record/cover is in every way like new
very good /vg Platte ist gespielt und weist leichte Fremdger usche auf . Haarkratzer sind vorhanden jedoch kaum h rbar. Cover hat leichte Abnutzungsspuren /
Record is used and has slight surface noise. Slight scratches may be seen but only very hard to hear. Cover shows slight traces of wear
EU-DISCLAIMER: Dies ist ein Verkauf von privat. Mit der Abgabe eines Gebotes bzw. bei Sofort-Kaufen erkl ren Sie sich ausdr cklich damit einverstanden, dass Sie keinerlei Gew hrleistungsanspr che oder Garantieanspr che aus irgendeinem Rechtsgrund haben Die Angaben in der Artikelbeschreibung wurden von mir nach bestem Wissen und Gewissen gemacht.
This is a private sale. With a bid or buy at once - order you agree to have no rights whatever from any guarantee or warranty. All descriptions were made with the best knowledge and care.
LP is shipped as registered letter
More valuable LPs are shipped as parcel-post
BEZAHLUNG/PAYMENT:
Deutschland: per berweisung oder PAYPAL
Europe: via banktransfer onto my account or PAYPAL
World: PAYPAL welcome
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