A New Complete Edition, presenting Mozart s entire work including
every last fragment, in the most authoritative edition ever created.
The
Edition presents over 240 hours of music, 600 solo performers and
ensembles including 60 orchestras and every significant Mozart
interpreter of the past 30 years.
Five hours of new recordings
have been commissioned for this Edition including premieres of
previously-lost compositions and every perform-able fragment. Moreover, a
further 25 CDs present key works in great alternative versions, while
five more CDs present legendary and historic performances, making this
Edition a document of the greatest Mozart performances as well as of his
complete works.
Two handsome, lavishly illustrated hardcover
books present documentation at a level of authority never before seen in
any boxed set, with over 150,000 words in each language, written by one
of the great Mozart scholars of our age, Professor Clifford Eisen.
Editorial
is presented across two editions, one with English and French language,
and the other with German and Japanese. Lending the Edition even more
weight is the publication for the first time of a new Kochel guide
presenting in short form the new Kochel catalogue developed over many
years by the International Stiftung Mozarteum.
Four frame-able prints are included in every set, including a Mozart letter and a score.
Summary of Contents
CD
1-10 Solo - Nannerl Notenbuch excerpts , The London Sketchbook,
Variations, Piano Sonatas, Minuets, Rondos, Fantasias, Adagios,
Modulating Preludes, Prelude Fugue, Suite, Works for mechanical
organ and glass harmonica, Alternative versions
CD 11-19 Duets
Sonatas and Variations for Piano Violin, Sonatas and Variations
for Keyboard 4 hands and 2 Pianos, Duo for Bassoon Cello, Violin
Viola Duos, Horn Duos
CD 20-22 Trios Piano Trios, String Trios, Clarinet Trio 23-30 Quartets
Divertimenti K136-K138, String Quartets, Flute Quartets, Oboe Quartet, Piano Quartets
CD 31-34 Quintets String, Horn, Piano, Eine kleine Nachtmusik, Adagio Fugue, Clarinet Quintet, Adagio Rondo
CD 35-39 Sextets, Octets etc Divertimenti, Serenades
CD 40-49 Supplementary performances: Period instruments, Mozart s instruments, Classic Historic
CD 50-61 Symphonies
CD 62-68 Serenades, Divertimenti, Cassations
CD 69-73 Minuets, Contredanses, German Dances, Marches
CD 74-87 Concertos
CD 88-101 Supplementary performances: Concerto and Orchestral
CD 102 Apollo et Hyacinthus
CD 103-104 La finta semplice
CD 105 Bastien und Bastienne Der Schauspieldirektor
CD 106-108 Mitridate, re di Ponto
CD 109-110 Ascanio in Alba
CD 111-112 Il sogno di Scipione
CD 113-115 Lucio Silla
CD 116-118 La finta giardiniera
CD 119-120 Il re pastore
CD 121 Zaide
CD 122-124 Idomeneo
CD 125-126 Die Entf hrung aus dem Serail
CD 127 L oca del Cairo Lo sposo deluso
CD 128-130 Le nozze di Figaro
CD 131-133 Don Giovanni
CD 134-136 Cos fan tutte
CD 137-138 Die Zauberfl te
CD 139-140 La clemenza di Tito
CD 141 Thamos in gypten Les Petits Riens etc
CD 142-146 Additional Opera Arias, Insertion Arias, Concert Arias
CD 147 Arias with Period instruments
CD 148 Famous Arias
CD 149 Classic Performances: Arias
CD 150-152 Classic Performance: Le Nozze Di Figaro Erich Kleiber
CD 153-154 Die Schuldigkeit des ersten Gebots etc
CD 155-156 La Betulia liberata
CD 157 Davidde penitente etc
CD 158-169 Church Music Mass Settings, Litanies, Vespers, Shorter Works, Epistle Sonatas, Requiem
CD 170 Supplementary Performances: Solemn Vespers Requiem etc
CD 171 Songs
CD 172 Masonic
CD 173 Canons Partsongs
CD 174-175 Fragments, Discoveries Curios
CD 176-178 Works completed by others
CD 179-181 Arrangements of other composers
CD 182-183 Handel Arrangements: Acis und Galatea
CD 184-185 Handel Arrangements: Der Messias
CD 186-187 Handel Arrangements: Das AAlexander-Fest/Ode auf St. Caecilia
CD 188-190 Die G rtnerin aus Liebe
CD 191-193 Self-Arrangements
CD 194-200 Works of Doubtful Authenticity
Mozart did even out-do Beethoven in some ways, in his simplicity and his incredible economy of notes --Artur Rubinstein
It
was, to me, most important to sing and speak at the same time, and
Mozart operas were the greatest model for this. --Alfred Brendel
It
s just extraordinary to be doing this music, singing this music,
working with this composer, playing with this composer, and having those
moments - suddenly, you are in heaven. --Rolando Villazon
