Item Description
This is a Pre-owned 2012 Exclusive ACM Promotional 2 Red Colored Vinyl, LP, Album, VERY LIMITED Edition by Taylor Swift called, Red .
Label for this album is Big Machine Records.
Release Number BMR310400D.
Barcode : 843930007103 DETAILS
VERY LIMITED Edition sent out exclusively only to a select Few Academy Of Country Music professional members to encourage votes for Taylor Swift at the 2013 ACM Awards.
This package of course was never commercially available and Very Few were manufactured.
Features a double vinyl record album set of Taylor Swift s Red , pressed on Beautiful Red Colored Vinyl Lps.
Goldmine Record Grading Standards...LP s are Play-tested And Graded.
LABEL: NM
Very clean Taylor Swift custom Big Machine Records labels with ABSOLUTELY NO spindle marks or blemishes.
RECORD GRADING: NM
2 LP surfaces are pristine, bright and glossy and basically appear unplayed with with only a couple of spots of faint Sleeve Marks from the original paper sleeves.
We have replaced but have included these in the jacket these paper sleeves with New Mofi high-quality inner sleeves for both vinyls We have play checked both vinyls all the way through and both Play Perfectly Like A New Album with NO background or surface noise.
COVER GRADING: VG
Gatefold Jacket has Scuff Marks/Ringwear from Storage Wear that is mostly noticed on the front cover see details on picture 3 .
On the back cover there is a Sharpie Mark through the barcode and very Faint Ring Wear only seen in Bright light unnoticeable .
Please check All the pictures for further details on condition
This is a very well maintained album We have Provide a New Polypropylene Outer Sleeve for the Jacket SHIPPING:
We use cardboard mailers, cardboard inserts, bubble wrap, polypropylene sleeves and tight packing to prevent the vinyl from moving to fully protect shipping and We Also Will Add Insurance Thanks for looking This album includes the Singles:
We Are Never Ever Getting Back Together , Begin Again , I Knew You Were Trouble , 22 , Red , Everything Has Changed , The Last Time Tracklist:Side A:
A1: State Of Grace 4:56
A2: Red 3:41
A3: Treacherous 4:01
A4: I Knew You Were Trouble 3:38Side B:
B1: All Too Well 5:28
B2: 22 3:51
B3: I Almost Do 4:03
B4: We Are Never Ever Getting Back Together 3:11Side C:
C1: Stay Stay Stay 3:25
C2: The Last Time 4:58
C3: Holy Ground 3:22
C4: Sad Beautiful Tragic 4:44Side D:
D1: The Lucky One 4:01
D2: Everything Has Changed 4:04
D3: Starlight 3:38
D4: Begin Again 3:58 Red is the fourth studio album by American singer-songwriter Taylor Swift.
It was released on October 22, 2012 Featuring collaborations with Gary Lightbody and Ed Sheeran, the album musically experiments with new genres for Swift such as heartland rock and dubstep.
The album debuted at number one on the US Billboard 200 with first-week sales of 1.2 million copies, giving Swift her third consecutive number-one album and making her the first female artist to have two million-selling album openings Taylor Swift designed her 2012 album as her breakthrough into the pop market -- a crossover she pulled off with ease, elevating her to the rarefied air of superstars who can be identified by a single name.
There s an empowering fearlessness in how Swift shakes off her country bona fides.
Leaving Nashville behind, she rushes to collaborate with Britney Spears hitmaker Max Martin and Snow Patrol s Gary Lightbody, along with mainstream rock mainstays Dan Wilson and Butch Walker.
Appropriately for an album featuring so many producers, Red isn t sequenced like a proper album, it s a buffet, offering every kind of sound or identity a Swift fan could possibly want.
Taylor deftly shifts styles, adapting well to the insistent pulse of Martin, easing into a shimmering melancholy reminiscent of Mazzy Star Sad Beautiful Tragic , and coolly riding a chilly new wave pulse The Lucky One .
Combined with the unabashed arena rock fanfare of State of Grace, the dance-pop of We Are Never Ever Getting Back Together, and the dubstep feint I Knew You Were Trouble -- not to mention the cheerfully ludicrous club-filler 22 -- Red barely winks at country, and it s a better album for it.
It is, as all pop albums should be, recognizable primarily as the work of Taylor Swift alone: her girlish persona is at its center, allowing her to try on the latest fashions while always sounding like herself.
She s constructed something so precise that Taylor is still twitchy, which makes Red not just catchy but compelling.
About Us T.J.
and Kristie :
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