WE CURRENTLY HAVE MORE THAN 300 LISTED ITEMS
Click here to see ALL our ROCK auctions Our PSYCH PROGRESSIVE auctions Our PUNK NEW WAVE auctions Our JAZZ auctions Our BLUE NOTE JAZZ auctions Our BLUES auctions Our CLASSICAL auctions Our COUNTRY auctions Our FUNK auctions Our LATIN auctions Our METAL auctions Our REGGAE auctions Our SOUL auctions Our STILL SEALED ITEMS Our PROMO auctions Our ACETATE auctions Our TEST PRESSING auctions Our AUDIOPHILE auctions
LOVE featuring ARTHUR LEE - FOREVER CHANGES ORIGINAL ELEKTRA RECORDS 1967 MONO LP EKL-4013
ORIGINAL U.S. PRESSING
MONSTROUSLY RARE MONO PRESSING BY FAR THE RAREST AND MOST DESIRABLE LOVE ALBUM IN EXISTENCE
ONE OF THE GREATEST ROCK ALBUMS OF THE LAST 50 YEARS THE UNIVERSALLY RECOGNIZED MASTERPIECE
ORIGINAL GOLD NOT BROWN OR TAN ELEKTRA LABEL late 60s style
VERY RARE WEST COAST PRESSING MONARCH PRESSING PLANT, LOS ANGELES
THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.
ORIGINAL, THIN CARDBOARD COVER NO THICK CARDBOARD COVERS WERE EVER PRODUCED FOR THIS TITLE, EXCEPT FOR SOME MID-70s REISSUES
CLEAN, WEAR-FREE LABELS
THICK, HEAVY VINYL PRESSING
MONO version of this album has NEVER been available on legitimate Compact Disc or in any other digital format.
PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW
Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a recycled image from our previous auction. What you see is what you ll get. GUARANTEED
Love s Forever Changes made only a minor dent on the charts when it was first released in 1967, but years later it became recognized as one of the finest and most haunting albums to come out of the Summer of Love, which doubtless has as much to do with the disc s themes and tone as the music, beautiful as it is. Sharp electric guitars dominated most of Love s first two albums, and they make occasional appearances here on tunes like A House Is Not a Motel and Live and Let Live, but most of Forever Changes is built around interwoven acoustic guitar textures and subtle orchestrations, with strings and horns both reinforcing and punctuating the melodies. The punky edge of Love s early work gave way to a more gentle, contemplative, and organic sound on Forever Changes, but while Arthur Lee and Bryan MacLean wrote some of their most enduring songs for the album, the lovely melodies and inspired arrangements can t disguise an air of malaise that permeates the sessions. A certain amount of this reflects the angst of a group undergoing some severe internal strife, but Forever Changes is also an album that heralds the last days of a golden age and anticipates the growing ugliness that would dominate the counterculture in 1968 and 1969 images of violence and war haunt A House Is Not a Motel, the street scenes of Maybe the People Would Be the Times or Between Clark and Hillsdale reflects a jaded mindset that flower power could not ease, the twin specters of race and international strife rise to the surface of The Red Telephone, romance becomes cynicism in Bummer in the Summer, the promise of the psychedelic experience decays into hard drug abuse in Live and Let Live, and even gentle numbers like Andmoreagain and Old Man sound elegiac, as if the ghosts of Chicago and Altamont were visible over the horizon as Love looked back to brief moments of warmth. Forever Changes is inarguably Love s masterpiece and an album of enduring beauty, but it s also one of the few major works of its era that saw the dark clouds looming on the cultural horizon, and the result was music that was as prescient as it was compelling.
EXCERPT FROM AN ONLINE REVIEW BY MARK DEMING, ALL MUSIC GUIDE /ALLMUSIC.COM/
Probably one of the very few albums that can invoke a total, universal consensus: this is one of the most beautiful - and important - albums of the rock era. Recorded in mid-1967, just as LOVE s original line-up was about to disintegrate, Elektra s house producer and engineer, Bruce Botnick who went on to record and produce virtually every Doors album assembled a stellar studio band - which included, among others, Hal Blaine, legendary studio drummer - to support the faltering Love members while they were bickering in the studio. The impact of this parallel group of musicians was swift and massive: the band somehow perceived them as a competition and a threat, and managed to regain its composure and creativity and to create one of the most enduring minor-key masterpieces ever committed to vinyl. If you have never heard this album, take my word: you are missing a lot. The album aged better than 99 of its contemporaries and attained a genuine cult status. Cited by many rock stars as their source of inspiration various members of Led Zeppelin and Fairport Convention come to mind , the impact this majestic album still exerts on rock music and aesthetics cannot be overestimated. Finally, the cover art for this album is one of the most memorable and recognizable visual presentations in all of contemporary music, and a great artistic accomplishment to boot.
For its extraordinary contribution to the modern music, superb production, craftsmanship, fine musicianship, revolutionary significance and influence it exerted on numerous generations of musicians, writers and general public, this album was voted one of top-200 albums of all time in one of the largest poll of critics, music reviewers, professionals and producers ever organized: the poll, which was conducted by Paul Gambaccini, legendary BBC Radio A R man, surveyed more than 50 top music professionals including Roy Carr, Jonathan Cott, Robert Christgau, Cameron Crowe, Chet Flippo, Ben Fong-Torres, Charlie Gillett, Greil Marcus, Murray the K., Lenny Kaye, Bruce Morrow a/k/a Cousin Brucie , Tim Rice of Jesus Christ Superstar and Evita fame , Lisa Robinson, Robert Shelton who wrote liner notes for Bob Dylan s first album , Ed Ward, Joel Whitburn, Pete Wingfield, etc. . For more details, see: Critics Choice: Top-200 albums compiled by Paul Gambaccini, Omnibus Press, Library of Congress Catalog No.7855565.
TO SEE IF WE HAVE OTHER LISTED ITEMS BY THIS GROUP OR ARTIST CLICK HERE
CONDITION:
THE RECORD
IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded we grade records under the strong, diffuse room light or discrete sunlight
a WE GRADE THE VINYL AS WEAK NEAR MINT. Some VERY LIGHT AND SUPERFICIAL abrasions mostly sleeve scuffs - are barely visible, but are probably inaudible, and do not affect visual integrity or beauty of the vinyl. The original luster is very much intact, and the vinyl shines and sparkles almost like new. PLEASE NOTE: a few tiny, superficial scuffs noted on Alone Again Or do not play and are completely inaudible, and do not subtract from the overall grade. The record plays beautifully throughout
b The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording
c Mono pressing of this title is much rarer than its stereo counterpart. We estimate that stereo copies of this album outnumber mono pressings by a ratio of at least 30:1.
d The record comes in the original stock inner sleeve.
e Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording
