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♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫ ·EAST NEW YORK ENSEMBLE DE MUSIC – AT THE HELM -INSANELY RAREORIGINAL 1974 FOLKWAYS MONO LP FTS-33867 ·ORIGINAL U.S. PRESSING ·ORIGINAL BLUE FOLKWAYS
LABEL WITH SILVER SCRIPT. ·THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS
NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING. ·ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE) ·THICK, HEAVY VINYL
PRESSING ·CLEAN, WEAR-FREE LABELS (►PLEASE SEE THE
IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW) (Note:
this is a REAL image of the ACTUAL item you are bidding on. This
is NOT a "recycled" image from our previous auction. What you see is what you'll get.GUARANTEED!)
♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫ The East New York Ensemble
was a group with a broad range of musical and cultural ideas. “We are
particularly concerned musically with modulating from one groovy layer of
polyrhythmic textures and colors to another,” writes member Bilal Abdurahman in
the liner notes accompanying the album. Listeners will encounter music from an
eclectic mix of cultures, including an improvisation based on a Turkish
religious melody and the composition “Sunflower,” which features an ancient
reed instrument given to Abdurahman by a villager in Pusan, Korea. At the Helm,
The East New York Ensemble’s only album, showcases a variety of musicians
demonstrating a variety of multicultural influences. *** East of New York or east of
the States? The defining sound of this little recordseems to be distinctly north-african, slowly weaving, melodic
jazz revolving around two key members on sax and vibraphone, this still goes
over a treat cause of its slyly disarming nature. not a record to be
overthought, rather slap it on on a sunny weekend and enjoy the soothing but
conscious and intelligent work, while it instills subconscious urge to chew
Egyptian cotton. (EXCERPT FROM TWO ANONYMOUS ONLINE REVIEWS) Track list: A1 - Mevlana - 11:58 A2 - Ti-Ti - 7:12 B1 - Sun Flower - 13:30 B2 - Bent-El-Jerusalem - 5:19 Credits Bass – James
Smith (14) Composed By –
Ameen Nuraldeen (tracks: A1, A2, B2), Freddie Hubbard (tracks: B1) Congas – Bobby
Harvey Drum [Turkish]
– Jay Rose Drums – Qasim
Ubaindullah Gong [African
Twin-gong] – Rahkiah Abdurahman Soprano
Saxophone, Reeds [Korean], Design [Cover], Liner Notes – Bilal Abdurahman Vibraphone –
Ameen Nuraldeen
♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫ ·CONDITION: ·THE RECORD (IMPORTANT NOTE: unless otherwise noted, ALL
records are graded visually, and NOT play-graded!; wegrade records under the strong, diffuse room light or discrete
sunlight) (a)WE GRADE THE VINYLAS(WEAK) NEAR MINT.
Some VERY LIGHT AND SUPERFICIAL abrasions – mostly sleeve scuffs -are (barely) visible, but are probably
inaudible,and do not affect visual
integrity or beauty of the vinyl. The original luster is very much intact, and
the vinyl shines and sparkles almost like new (A FEW MINOR SCUFFS NOTED ON
TRACK B2, NOT EXPECTED TO BE AUDIBLE) (b)The record is pressed on a beautiful, thick, inflexible vinyl, which
was usually used for the first or very early pressings. Usually, the sound on
such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not
expect to obtain such a majestic analog sound from a digital recording! (c)Of course, this is a full-bodied ANALOG recording, and not an inferior,
digital recording!!! ·THE COVER THE COVER IS NICE --- ABOUT
EXCELLENT OR VERY GOOD+++. The following flaws or
imperfections are noted on the cover: -Cover has JUST A HINT of ring wear (nothing significant); On
the scale from 1 to 10 (1 being the least, and10 being the most severe), we assess the severity of ring wear as 2(front side) and 1 (back side). -Cover has some small writing on its back side (a small price
code written in one corner) -Cover shows JUST A HINT of yellowing on back side,
apparently from aging. Related Items