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FOUND 1973 FIRST PRESS
COSMIC ACID PROG/JAZZ PSYCH UNDERGROUND
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LARD FREE
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Made In France - VAMP RECORDS - Fr. VP 59500
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Climb aboard ... offering an all-time wAy-Out stoned groover .. the very first LARD FREE providing cool fun-zones with swirling twists and turns from beginning to endLARD FREE got their groove goin on
Their 1973 first of three LP s - and considered their best.
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NOTE: At NO EXTRA CHARGE along with this special collectible original LP includes the
special art print AZNA meticulously created by Angel Artist Christina
Simonds from Souls Enlightenment Selovesu.com
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LARD FREE s first album is full of great spacey rock dominated along the way by
scorching shreds of metallic distortion guitar, superb drumming, great bass work and acid-winds weaving around.
BE SURE TO CHECK-OUT THE SOUND SAMPLE BELOW
Lard Free - Warinobaril CLICK BELOW:
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LARD FREE FIRST album is an early unique example in the meshing of psychedelic underground and woozy jazz rhythms and blasts...
the fan-man weighs in:
LARD FREE s first album is an early unique example in the meshing of psychedelic underground and woozy jazz rhythms and blasts...
There is an acidic, improvised feel to a lot of the music that makes it more a direct
descendant of Jimi Hendrix jazz-rock flirtations a la Still Raining on Electric
Ladyland than any recognizable school of fusion or free jazz.
The album formula informs 12 ou 13 Juillet qui je Sais D Elle, as an 8 minute
excursion into distorted spacey synth soundscapes that segues into some ferocious
improvised jazz-rock and is also repeated on Monfleur Ecarlate.
Acide Framboise is the most hippie jam type song of them all, probably cos of the
bluesy guitar leads from Francois Mativet ... there s some fine musicianship on
display throughout, not least from the multi-talented Artman himself, but you really have
to be in the zone to dig it. Indeed a sober jazz fan is likely to lose patience
when, after the six minute jam concludes, the very next piece Livarot Respiration
begins with the exact same bass line, although thankfully the atmosphere is different
thanks to the skillful use of vibraphone and cosmic-winds to create an ultra-mellow vibe.
To tell the truth, for some, not me, there s a little too much feedback-drenched improvisation.
1. Warinobaril 3:46
12 Ou 13 Juillet Que Je Sais D Elle 8:48 :
2. Part One 5:13
3. Part Two 3:35
-
. Honfleur carlate 4:48
. Acide Framboise 6:45
. Livarot Respiration 7:50
Culturez-Vous Vous M me 4:40
- Fran ois Mativet / guitars
- Philippe Bolliet / space-sax echos wailings drones
- Herv Eyhani / bass and 70-era ARP synth
- Gilbert Artman / drums
The COVER: Preserved beautifully, near M- glossy
laminated gatefold , both inside and out ... no bends, no split seams,
no wear, no writing TOP COPY, good luck finding better
The vinyl:
Rated: EX excellent to mostly M- smooth and clear with tiny signs of past use only, and both VAMP labels
are clean yes the all important Vamp labels are real nice,
50 years rare
The 11x14 ART PRINT IS MINT
A cool addition to anyone s music library
SEE: SELLERS OTHER ITEMS similar grooves for head people...
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GRADING SYSTEM:
All imperfections are noted both cover record
GRADING SCALE: M, M-, EX, VG ,VG , VG, VG-
M Completely clean, no marks, plays clean
M- Carefully used, looks clean, plays clean, shiny gloss, plays clean
EX Faint scuff or superficial mark, near M-, high gloss, plays clean
VG Glossy with minimal scuffing or light mark playing very nice, enjoyable
VG a bit more scuff or marks still plays well with very minimal surface at worse
VG more marks/scratches only minor, nothing deep, no loud clicks or pops
this grade is abused by many, VG here does not mean trashed
VG- surface noise present, will not have skips or jumps
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