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Very RARE
FREAK BEAT MOD 1967 HIT-TON
FIRST PRESS POP-PSYCH CLASSIC
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WE ARE PAINTERMENTHE CREATION
WE ARE PAINTERMEN
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GERMANY - HIT-TON RECORDS - HTSLP 340 037
PLAYS SOLID
Maximum R B, in the style of The Who,
The Creation were one of the best groups in the 60 s British Invasion.
Thrust by the earth-shaking Making Time, the Lp, We Are Paintermen thrashes its way across a dozen tracks, defining the freakbeat sound of the UK 60 s rock scene in the process.
Contains the original printed inner sleeve
BOOMING WIDE RANGE SOUND THROUGHOUT Don t let the opening Cool Jerk all-timer hit trick you: nine of these twelve songs are originals, are solid, and excellent
One of the best freakbeat/garage/mod albums from the 60s. Every track is a winner. If you like The Who s early days, The Move, Small Faces, etc. check this out ASAP
The CREATION s style, produced
by Shel Talmy, was loud art pop, similar to early records by The Who.
In fact Pete Townshend was in the CREATION S fan club.
Their first single, Making Time , featuring guitarist Eddie Phillips playing his electric guitar with windmill arm theatrics and a violin bow. He was reputedly the first guitarist to use this technique. Released in June 1966 it reached No. 49 on the UK chart.
Their next single, October 1967 s Painter Man ,
became their biggest hit, reaching No. 36 UK and the top 10 in Germany.
The Creation took their rock art experimentation slightly further when,
during live performances of Painter Man, and sometimes their singer
Kenny Pickett would spray-paint a canvas during their concerts before a
member of the road crew would set fire to the artwork on stage
THE CREATION specialized
in writing miraculously catchy garage rock n roll. Their hallmark is
their rolling thunder sound with guitar, bass and drums working in
tandem to provide a solid, reverberating, resonant backbone to the
irresistible jangle that sat up font giving the songs both a
bone-shaking rawness and an irresistible Mod rocker charm.
Like a Rolling Stone 2:58
Can I Join Your Band 2:57
The cover: rated: near M- fragile laminated HIT-TON label 67 press with laminated cover, has no faded colors, no delete marks, no split seams, no bends, and no writing ...TOP COPY
The vinyl:
Rated: visual VG has minor hair-scuffs and a couple lighter styles nicks , audio is VG to M- considerably enjoyable might be sky-higher expensive to locate strict M- copy.
Ultimately a 1967 keeper play collection copy
Both HIT-TON 1967 labels
are very clean
A cool addition to anyone s music library
SEE: SELLERS OTHER ITEMS
similar grooves for head people...
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