WE CURRENTLY HAVE MORE THAN 300 LISTED ITEMS
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Click here to see ALL our ROCK auctions Our PSYCH PROGRESSIVE auctions Our PUNK NEW WAVE auctions Our JAZZ auctions Our BLUE NOTE JAZZ auctions Our BLUES auctions Our CLASSICAL auctions Our COUNTRY auctions Our FUNK auctions Our LATIN auctions Our METAL auctions Our REGGAE auctions Our SOUL auctions Our STILL SEALED ITEMS Our PROMO auctions Our ACETATE auctions Our TEST PRESSING auctions Our AUDIOPHILE auctions
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lt if supportLists gt lt endif gt THE SEEDS THE SEEDS S FIRST, SELF-TITLED ALBUM, featuring the garage classic Pushin too hard ORIGINAL 1966 GNP CRESCENDO RECORDS STEREO LP GNP-2023
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lt if supportLists gt lt endif gt ORIGINAL U.S. PRESSING
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lt if supportLists gt lt endif gt ORIGINAL RED GNP LABEL WITH LOGO IN WHITE PRINT
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lt if supportLists gt lt endif gt FIRST VERSION OF THE COVER WHICH DOES NOT PLUG THE HIT SINGLE PUSHIN TOO HARD
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lt if supportLists gt lt endif gt THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.
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lt if supportLists gt lt endif gt ORIGINAL, THICK CARDBOARD COVER AMERICAN STYLE
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lt if supportLists gt lt endif gt THICK, HEAVY VINYL PRESSING
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lt if supportLists gt lt endif gt CLEAN, WEAR-FREE LABELS
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PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW
Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a recycled image from our previous auction. What you see is what you ll get. GUARANTEED
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Of the great garage punk bands of the 1960s, some were louder the Sonics , some were angrier the Music Machine , and some were trippier the 13th Floor Elevators , but few seemed like a bad influence on so many levels as the Seeds. The Seeds had long hair, a gloriously lamentable fashion sense, an attitude that was at once petulant and lackadaisical, and music that sounded aimless, horny, agitated, and stoned all at once in short, they were totally cool -- op. ed. . Is it any wonder America s delinquent youth loved them? The Seeds aural signature was as distinctive as any band of their era, and they got a bit fancier with their formula as they went along, but they never captured their essential seediness with more impressive concision than they did on their self-titled debut album from 1966. Dominated by the fierce, drawling yelp of Sky Saxon s vocals and Daryl Hooper s hypnotically repetitive keyboard patterns, and supported by the snarling report of Jan Savage s guitar and Rick Andridge s implacable drumming, the Seeds had a limited bag of melodic tricks, but they hardly seemed to care that roughly half their songs sounded identical, as Saxon bellowed about people who had done him wrong in some way or another usually women and the band locked into cyclical grooves that picked up impressive momentum when they gained enough traction especially Evil Hoodoo, You Can t Be Trusted, and the Seeds signature tune Pushin Too Hard . On their second album, A Web of Sound, the Seeds would become more blatant in their celebrations of sex and drugs, but the glorious primitivism and narrower focus of their debut ultimately works to their advantage there are few albums of the era that mirror the delicious arrogance of a beer-sodden teenage misfit with the effortless simplicity of the Seeds, and it s justly celebrated as a classic of first-wave garage punk.
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EXCERPT FROM AN ONLINE REVIEW BY MARK DEMING, ALL MUSIC GUIDE /ALLMUSIC.COM/
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TO SEE IF WE HAVE OTHER LISTED ITEMS BY THIS GROUP OR ARTIST CLICK HERE
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lt if supportLists gt lt endif gt CONDITION:
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lt if supportLists gt lt endif gt RECORD
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IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded we grade records under the strong, diffuse room light or discrete sunlight
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lt if supportLists gt a lt endif gt WE GRADE THE VINYL AS NEAR MINT. Some VERY LIGHT AND SUPERFICIAL abrasions mostly sleeve scuffs - are barely visible, but are probably inaudible, and do not affect visual integrity or beauty of the vinyl. The original luster is very much intact, and the vinyl shines and sparkles almost like new.
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lt if supportLists gt b lt endif gt The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording
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lt if supportLists gt c lt endif gt Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording
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lt if supportLists gt lt endif gt COVER
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THE COVER IS NICE --- ABOUT EXCELLENT OR VERY GOOD VG .
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The following flaws or imperfections are noted on the cover:
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lt if supportLists gt - lt endif gt Cover has some light ring wear nothing significant On the scale from 1 to 10 1 being the least, and 10 being the most severe , we assess the severity of ring wear as 1 front side and 4 back side
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lt if supportLists gt - lt endif gt Cover shows some light yellowing on both sides, apparently from aging nothing significant .
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NO OTHER IMPERFECTIONS ON THE COVER:
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lt if supportLists gt - lt endif gt No split seams
lt if supportLists gt - lt endif gt No cut-out drill holes.
lt if supportLists gt - lt endif gt No cut-out corners
lt if supportLists gt - lt endif gt No saw-marks or indents
lt if supportLists gt - lt endif gt No dirt/dust rubbing stains friction marks caused by rubbing against other covers
lt if supportLists gt - lt endif gt No wrinkles or creases
lt if supportLists gt - lt endif gt No writing
lt if supportLists gt - lt endif gt No stamps
lt if supportLists gt - lt endif gt No tearing: no chips, dents or nicks on the seams
lt if supportLists gt - lt endif gt No peel-off marks
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